Terry Bozzio, drummer with Frank Zappa, Missing Persons, UK and more joins Todd Miller in The Vinyl Vault, Sep 16th at 8p ET!
A special Tuesday presentation of The Vinyl Vault! Drummer extraordinaire, composer, percussionist, vocalist, inventor, sideman, hired gun, painter/sketcher, interviewer…the list goes on and on for Terry Bozzio! He was the man behind the kit and Frank Zappa’s foil onstage for 3 years, moved on to form the highly successful Missing Persons, joined the prog band UK for a few albums and tours, recorded with Tony Levin, Jeff Beck, Mike Portnoy, Alan Holdsworth…let’s just say he’s played with a few people and bands! And he’s on tour…
Coming to The Cosmopolitan Music Hall in Richmond Hill, Ontario on September 19th & 20th, he’ll be performing solo on a tuned drum kit like the pic above, triggering bass notes and textures in a captivating performance! For other tour dates, visit www.TerryBozzio.com/tour-dates and check out the itinerary. Terry also sells his own line of signature drum sticks and drum heads that he invented! And just for fun, check out the biography section, and see if you can read the whole thing in one sitting!! The guy is busy!
We talk about the current tour; his inspirations on the drum kit; his inspirations in life; the profound impact working with Frank Zappa had on him; talked about politics, art, design…he’s opinionated!
For more info on is work with Frank, go to www.FrankZappa.com
Heeeeeeeeeee’s baaaaaaaaack! The highest rated jazz host is now on RTDS! Larry Green, formerly of JAZZ-FM in Toronto now hosts “Out Of The Blue” heard Mondays from 1-3 pm on RTDS, starting September 8th, and will be re-rolled Tuesday – Friday in the same time slot. The sprit of jazz. A touch of everything and then some…” Once broadcast from the top of the CN Tower, Larry will now be heard from the top of Willowdale 🙂
It seems that doing a Jazz radio show was meant to be part of Larry Green’s life. Growing up in Toronto’s multi-cultural Kensington Market area, music was part of the culture and community.
After many years of studying music, including Toronto’s Oakwood Collegiate, Larry began working delivering mail at CBC Toronto. Del Mott, a CBC host of many national radio shows, had befriended Larry at the corporation as well as hearing him play at various venues. He helped this fledgling radio voice get hired at CHVC- Niagara Falls, Ontario, his first radio job. This rude radio awakening was followed by on-air performances in Guelph Ontario; Vancouver and Penticton, British Columbia; and Winnipeg, Manitoba, Toronto and several other Canadian stations.
Larry eventually ended up doing the afternoon drive show on the then experimental CHUM-FM in Toronto. During his stay at CHUM, he was also appointed creative director of the entire group of CHUM stations at that time, and was the first Canadian recipient of the coveted Armstrong Award, “for excellence in FM broadcasting”, given out by Columbia University.
Larry hosted the first music show on Toronto’s CITY-TV, and co-hosted a national children’s show on CBC-TV (After Four), with Jan Tennant.
Eventually, Larry moved into the music business as the marketing director for GRT Records, and then the National Promotion Manager for WEA Music ( Warner Bros. Elektra and Atlantic Records ).
He was approached by CFNY-FM Toronto, and asked to do their weekly jazz show. That show produced great ratings for the station, and soon after, Larry syndicated his Out of The Blue show nationwide with the same results.
Always expanding his horizons, Larry moved into program management for Telemedia Broadcasting. He assumed the responsibilities of Program Director/Operations Manager, and was a front-line contributor at their CRTC FM hearing.
Larry continued his association with CBC radio, firstly as the jazz host of Catherine O’Hara’s Later The Same Day, and later on, producing and hosting a 13-week national series using the Blindfold Test theme. All of his work was celebrated and well-accepted by audience and management alike. Some of the shows included musicians like Ahmad Jamal, Ernestine Anderson, Chuck Mangione, Joey DeFrancesco, Oliver Jones, Phil Nimmons, Rob McConnell and others.
An international opportunity also arose, and Larry created, produced and voiced a successful jazz show on the web at theiceberg.com.
Although Larry has consistently acted as a mentor, and consultant, he augmented that part of his career by creating a program for the Learning Annex called Putting Your Voice To Work. This very successful program ran for two years, and was designed to teach techniques for developing voice talent for commercials, animation and announcing.
He also was an instructor for Humber College’s Broadcasting Program.
Larry joined JAZZ FM91 April 1st, 2002, and could be heard Monday – Friday, 2 – 6pm. Larry was consistently at the top of the stations ratings, continued to interview dozens of international and Canadian celebrities and was the Winner of The National Jazz Broadcaster of the year, .( 2006 ), and was nominated for this same award in 2007.
As part of his duties at JAZZ FM 91, Larry took a program idea, named it JAZZOLOGY, and developed a format for this extremely successful, accredited program that incorporates jazz students from four Toronto area Colleges and Universities. Larry hosted, produced and directed this show. As a result of the success of Jazzology, Larry was nominated for an honourary degree at the University of Toronto.
To get in touch with Larry or find out what he played, email him: larrygreen AT rogers.com
Out Of The Blue can be heard live Mondays from 1 – 3 pm, and previously enjoyed on Tuesday – Friday from 1 – 3 pm, or heard on demand at anytime below:Out Of The Blue On Demand
THE SPRIT OF JAZZ. A TOUCH OF EVERYTHING AND THEN SOME…
You probably know that RTDS is heard in the United States via our Live365.com channel, as they include our US performance and publishing royalties as part of our monthly streaming package. But the sound quality is not as good as we could do ourselves and you have to login to Live365 to listen or use the Flash player on our site, which means that Apple devices can’t tune in. NO more…
We’ve negotiated our own licensing in the US, so as of Tuesday August 12th you can listen natively in the US via the Listen Live link that currently says “Listen Live – Canada/World”, AND in higher quality, AND because it’s HTML 5, it works natively on ALL devices via a browser!!
However with gain comes a little pain – our stream address WILL CHANGE. If you use the built in player via our website, nothing needs to be done on your end. If you have entered or bookmarked the Listen Live link directly, or entered it into a WiFi radio, you’ll need to update the link on Tuesday to: http://streamingthatdoesntsuck.com:8000
If you have ANY trouble listening, drop a line anytime to feedback AT radiothatdoesntsuck DOT com or call us at 1-866-269-6155. Thank you for your patience and support we’d be “nowhere man” without you 🙂
NOW ON DEMAND BELOW
Midge Ure, co-writer with Sir Bob Geldof of one of the most popular songs ever, Band Aid’s “Do They Know It’s Christmas”, Ultravox frontman, one time band member of Thin Lizzy, and prolific solo artist drops by The Vinyl Vault to discuss his brand new release “Fragile” coming out August 19th on Hypertension Records, distributed by
e One music in North America. MIdge joins us at 9a ET, with repeats at 3p/9p Thursday, and 3a Friday. If you miss it, it will be On Demand at the link below…
Midge is also on one of this summer’s hottest tours, “RetroFutura” along with Howard Jones, Tom Bailey from The Thompson Twins, China Crisis, Katrina ex- of Katrina & The Waves and Right The Stars. RTS were Midge’s backing band during his last solo North American tour, and they are not to be missed! Get ticket info at www.RetroFutura.com and catch the tour right here in Toronto at Kool Haus on August 26th, it’s going to be a busy night!
To catch up with Midge:
Visit his website at http://www.midgeure.co.uk/
Find him on Facebook at http://www.facebook.com/profile.php?id=275159919205373&fref=ts
Tweet him here: http://www.Twitter.com/@midgeure1
His biography, “If I Was” is available right HERE on Amazon: http://amzn.to/1rChQFF
If you miss it, the show will be On Demand below on Friday:The Vinyl Vault On Demand
Tune in Thursdays at 9a/3p/9p and 3a Friday, all times Eastern.
2 new shows! “From Cover To Cover” & “Radio Wrycraft” join RTDS – #Roots #Folk #Blues & more on Fridays!
Here we GROW again, and Fridays will never be the same on RTDS, as we’re expanding our #Roots, #Folk and #Blues programming, returning to our ‘roots’! You’ll remember our friends at Roots Music Canada presented “Roots Music Thursdays” on RTDS for many months, and we proudly make a home for one of their shows, “From Cover To Cover”, featuring Michael Wrycraft – One hour of eclectic music, stories and exclusive live selections from a unique point of view, as well as a brand new show heard nowhere else.
“FROM COVER TO COVER”, sees veteran Juno award winning album designer Michael “A Man Called” Wrycraft draws tracks from over 550 albums he’s designed and weaves stories in and out of the music, as well as live tracks from the 45 multi-artist tribute concerts MIchael’s presented at Hugh’s Room in Toronto! From Cover To Cover’s programming comes from a very unique perspective! Michael will be playing music exclusively from the vast number of artists he has designed album covers/packages for (almost 8000 tunes to choose from and growing every year). He also plays a healthy dose of fantastic rare live “cover” tunes by some of your favourite contemporary roots artists from his collection of live recordings from over 45 multi-artist concerts at Hugh’s Room in Toronto (almost 700 to choose from and growing every year) that cannot be heard anywhere else but on this show. Hence “From Cover To Cover” a very unique show with music unheard anywhere else!
“RADIO WRYCRAFT” Michael then decided that FCTC was not enough, as he wanted to add to the diversity that is RTDS, and create a companion show that flexes its musical muscles, and goes deeper and more eclectic than FCTC. Think of it as a lovingly-crafted mix-tape from a well informed passionate and professional music lover! An hour of genre-resistant, damn good music rubbing up against more damn good music!
“Those who know me, know I live, breathe and LOVE music. I listen to music, design for music, produce, promote and curate live shows, attend and emcee festivals and live concerts and sing or listen almost (gotta sleep sometime) 24/7… 365 days a year. What I LOVE the most about music is variety… the wide gamut of music that exists in this big beautiful world. It tickles me… thrills me, satisfies me and in many ways completes me. It’s food for the soul, for the heart, for the spirit. This show reflects my personal relationship to music. In other words… this is not a FOLK show, a BLUES show or a ROCK show or any specific genre. This is a big old box of aural chocolates. A little folk… a little singer-songwriter… a little soul… a little weird… a LITTLE OF EVERYTHING! This is what thrills me about music and I’m hoping you’ll come along for the ride!”
Bio: Over the last 23 years Michael Wrycraft aka A Man Called Wrycraft, a graphic designer who specializes in music, has designed close to 600 album packages for a virtual who’s who of the International Folk, Roots, Blues & Songer-Songwriter world. Along the way, he has collected five Juno Nominations, and one Juno Award as well as numerous American and Regional Nominations and Awards. His first (of eight) album designs for Bruce Cockburn spent a year on exhibit in MoMa (The Museum Of Modern Art) in New York. You probably own an album or poster designed by Michael. He has sung background vocals on 15 recordings, executive produced 3 critically-acclaimed recordings and has emceed the Main Stage at countless Folk & Music Festivals right across Canada as well as been Curator, Producer, Promoter and Emcee of over 45 recorded live multi-artist concerts at Hugh’s Room in Toronto and on tour. To catch up with Michael, visit his website at www.wrycraft.com
THIS WEEK on www.RTDS.ca: a freshly baked soufflé of BBC sessions from the 70’s and 80’s. Appearing bands like Echo & the Bunnymen, Magazine, Ultravox, women like Sandie Shaw, Annie Lennox, Kiki Dee and men like Richard Thompson, Brian Eno, Gary Numan and Robert Wyatt. Debuts Tuesday on stream 9a/3p/9p/3a ET, then to on demand Wednesday. SPREAD THE WORD! TELL YOUR FRIENDS!
Wow, what an incredible week at CMW! Paul Williams interviewing Nile Rodgers? Check! Ross Porter interviewing Quincy Jones? Check! Jian Ghomeshi interviewing DeadMau5? CHECK! Gary Vaynerchuk educating media folks about social media and pulling NO punches? Yup. David Shing, The Digital Prophet? He was there and he had some hard statistics to back up his views. And RTDS was there to cover as much as we could!
In The Fireside Chat, renowned musician, composer, arranger, and guitarist, Nile Rodgers, considered one of the most influential music producers in the history of popular music, sat down with legendary songwriter and performer Paul Williams. A hitmaker in every sense of the word, his career spans multiple decades shaping the style and works of some of the industry’s greats – from Madonna to Diana Ross, and David Bowie to Daft Punk. In a Q&A session – and accompanied by The Hitmaker (his trusty Fender Stratocaster) – the music legend discussed his illustrious calling and how “Get Lucky” has become the most significant song of his career. The effervescent and effusive Nile Rodgers dished on his incredible career with CHIC, the start of his music career, the trials and tribulations of working with others, and his incredible relationship with Bernard Edwards.
In a sit down, career retrospective, 27 time Grammy winner Quincy Jones, know as “Q” to all in the industry, chatted with Ross Porter at length about his stellar career, and producing the new LP from Nikki Yanofsky. He talked about having Steven Speilberg direct Q’s first movie; meeting Igor Stravinsky; working with Michael Jackson; Marlon Brando teaching Q’s child to act; and how Tupac almost became his son in law. And Q took questions from the audience too! An incredible chat that you just had to be there to experience, but I’m sure if you head over to YouTube you can find parts of the interview online. Ok, we made it easy for you, check below for the YouTube interview, but next year you gotta promise to be there yourself and not wait for the vid, ‘k?!
The Radio Interactive Summit was an eye opener for radio and artists alike. Everyone knows that AM/FM listening has been slowly declining, which means that artists have lost a good channel for exposure, as more and more listeners are connecting their smartphones to their cars, either through cables or BlueTooth. But there is good news – 83% of people that drive STILL listen to AM/FM in the car, and the longer they drive the more likely they are to listen, and the number one reason they still listen is for the MUSIC. So radio and DJs need to find creative ways to keep listeners tuned in during breaks from the music. Finally, by 2020 likely all cars will offer connectivity to smart devices, so many more choices will be available at listeners fingertips.
David Shing talked about how much digital overload there is on a daily basis. On average, people receive 1900 media messages come in, as text, email, phone, social media, advertising, etc. Many important messages from friends and family are missed, but where does that leave radio and artists trying to get more attention?
Artists and radio need to get more people to advocate for your brand, get them to be fans and spread the work organically. Ask fans and listeners to send selfie videos and pics, offer content that is contagious, stuff that people care about.
Gary Vaynerchuk talked about the various social media platforms, how they varied, how they were similar and that not all people need to be on all platforms. His no holds barred opinions and choice use of f-bombs was refreshing and disarming at the same time. I’m sure a lot of the attendees were taken aback by this approach, but he certainly knows what he’s talking about, and has stayed current with all platforms and how they can help artists and brands.
And, Deadmau5 was in the hau5 talking about his incredible career so far, #EDM, taking control of his career including subscription based services, DRM and more. Artists need to check out the vid below…
Looking forward to CMW 2015! For more info about CMW, head over to CMW.net
We believe artists need to be fairly compensated for their work, as a lot of us here at RTDS are songwriters and artists too! That’s why we voluntarily approached SOCAN to ask to be licensed, and we’ve been licensed since! We’re also a licensed ASCAP, BMI, SESEC and SoundExchange network. We believe all other internet radio stations should be licensed too – not only is it morally the right thing to do, it’s also the legal thing to do. Be legal – pay for the music you play.
From RTDS and all the artists we play, we thank you sincerely for supporting our mission of bringing you one of the deepest libraries on the planet, B sides, one hit wonders, albums tracks and vital new indie music.
Radio RESURRECTED Baby!